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NEWS
INDEX
Archives
2004
February
Run for your popcorn:
Mutant insects expected to take over Illinois campus
Jim
Barlow, Life Sciences Editor
217-333-5802; jebarlow@uiuc.edu
2/10/04
CHAMPAIGN, Ill. —
The world’s latest most-feared technological nightmare comes true
Feb. 28, but only for about six hours. Genetically engineered insects
will be running amok – though just on the big screen – during
the 21st annual Insect
Fear Film Festival at the University of Illinois at Urbana-Champaign.
The festival is an evening of entertaining but scientifically implausible
insect-monster films mixed with a bit of entomological education for
all ages. It begins at 6 p.m. at Foellinger Auditorium on the south
end of the Quad, with an hour of exhibits, a petting zoo, a children’s
art contest and other activities. Welcoming remarks begin at 7 p.m.,
and feature films begin at about 8, 9:30 and 11 p.m. Admission is free.
“There’s no keeping us down,” says May Berenbaum,
the head of the entomology
department who created the event in 1984. She and the Entomology
Graduate Student Association plan the festival. “Hollywood
keeps providing us with cannon fodder.”
This year’s feature films are “The Tuxedo” (2002),
“Mimic” (1997) and “Tail Sting” (2001). Among
short films to be shown, beginning about 7:20 p.m., are two from the
Cartoon Network: “Bus of the Undead,” an episode of “Aqua
Teen Hunger Force” featuring super-hero fast foods and Monstermothman;
and “Insect Inside,” in which the Power Puff Girls confront
a villainous engineered giant cockroach.
This year’s genetic engineering theme, Berenbaum says, reflects
the evolution of insect horror films that began with radiation-related
worries of the 1950s and moved forward to insect mutations resulting
from environmental pollution in the 1970s. Genetic engineering of insects
entered the radar (and movie) screen in 1982 when A.C. Spradling and
G.M. Rubin reported, in the journal Science, a possible mechanism for
gene manipulation of insects, using Drosophila, the laboratory fruit
fly.
“About the same time that insects were first being successfully
transformed, they showed up in the movies, transformed in ways even
today unimaginable by science,” Berenbaum said.
“The reality of transgenic insects is not so scary,” she
said. “Only a handful of species have been transformed to date,
and the vast majority of genes currently being moved around are marker
genes, such as the fluorescent protein in newly commercialized GloFish.”
It is the fear of what conceivably could be done with the new technology
– and its unintended consequences – that has some people
worried, Berenbaum says, referring to last month’s report issued
by the Pew Initiative on Food and Biotechnology.
The PEW report suggested that research could outpace regulatory preparedness
and was highly critical of the absence of clear definitions of how research
projects involving transgenic insects should be reviewed and regulated
by the federal government.
“For many people, the only reason that insects are even marginally
tolerated is that they are small and can be stepped on,” says
Berenbaum. “The worst possible scenario is that, because of technology
gone awry, they aren’t small anymore.”
Two of the films being shown – “The Tuxedo” and “Mimic”
– had been suggested as festival friendly by Pulitzer Prize-winning
movie critic Roger Ebert, an Illinois alumnus.
Before each film, Berenbaum describes noteworthy aspects of the plots,
characters, dialogue, scientific inaccuracies and other absurdities
– all of which usually draw laughter.
A synopsis of each of this year’s feature films:
•
“The Tuxedo,” with Jackie Chan and Jennifer Love Hewitt.
An unscrupulous company that produces bottled water uses genetic engineering
on water striders, the insects often seen scooting across the surface
of ponds, so that they grow large and destroy fresh water supplies.
(PG-13 and suitable for the younger festival-goers.)
•
“Mimic,” with Mira Sorvino and Jeremy Northam. An entomologist
(Sorvino) creates genetically engineered “Judas” bugs to
destroy cockroaches carrying a disease fatal to children, but well after
the bugs should have self-destructed they return in human form, which
allows them to seek human prey in the subways of New York City.
•
“Tail Sting,” with Christian Scott and Laura Putney. On
a flight from Australia to Los Angeles, genetically altered scorpions
designed to combat disease break free, grow to enormous size and begin
attacking passengers. The film is one of two that came out in recent
years about genetically engineered insects attacking passengers on airplanes,
Berenbaum said. “As if air travel weren’t stressful enough
these days,” she said. “Now we’re worried about mutant
genetically engineered killer venomous arthropods hiding behind the
beverage cart.”
(“Aqua Teen Hunger Force,” “The Powerpuff Girls”
and all related characters and elements are trademarks of Cartoon Network,
2004, a Time Warner company.)
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